Choosing your images
Your model learns your look from the photographs you choose, so this step matters more than any other. Plan on about an hour.
What to send
150 to 200 of your finished images. We'll narrow them down with you to the 30 to 50 that best capture your style, and keep another 10 to 20 aside to test the model against your real work. You approve both sets before anything is trained.
Send more than you think you need. Picking from too many is easy; working from too few isn't.
Pick images that are
- Finished and edited the way you deliver to clients today
- Current work in the style you want to be known for, not older work you've moved past
- Varied within one look: different subjects, scenes, angles, distances, and light, all clearly yours
- Yours outright: you hold the copyright, so no client-owned or work-for-hire shoots
Leave out
- Watermarks, logos, text, borders, or frames. The model will learn to draw them.
- Near-duplicates. Five frames from the same burst teach one scene, not your style. Pick the best one.
- Identifiable people, unless your release clearly covers AI training. When in doubt, leave it out.
- One-off experiments that don't look like the rest of your work
- Screenshots or social media exports. They're compressed and lose detail.
If you shoot more than one style
Weddings in one look and fishing in another? That's two separate models. Put each style in its own folder. Mixing them produces a blurry average of both.
File specs
| Spec | What to send |
|---|---|
| Format | JPEG (high quality) or TIFF |
| Size | At least 1024 pixels on the short side; full resolution is better |
| Color | Your normal edited export (sRGB is fine) |
| Names | Any names are fine |
How to send
You'll get sharing instructions after the agreement is signed. Please don't send images before then.